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WHEN DUTY, DESIRE, AND LANDSCAPE BEGIN TO ARGUE
PRIDE KIEU HANH
A reimagining of Pride and Prejudice set in Vietnam in the 1930s. A love story caught between family economy, colonial modernity, and the right to choose.
01
Story
Austen reframed through Vietnamese family pressure
02
Period
Saigon, Hanoi, land, language, class, restraint
03
Proof
Dialogue, camera grammar, motion, style tests
04
Partners
Early Risers + Galaxy Play conversation
SAIGON / HANOI / 1936
1 PERIOD ROMANCE, 2 VIETNAMESE MEMORY, 3 AUSTEN PRESSURE, 4 MODERN AUDIENCE.
The pitch, cut like a reel.
No brochure blocks. No form fields. Just the argument of the film, arranged as scenes, evidence, and decisions.
View full reel01
Story
Austen after empire
Pride and Prejudice becomes a Vietnamese family argument: money, language, class, land, and romantic self-knowledge.
02
World
Vietnam in the 1930s
French-influenced interiors, northern courtyards, river heat, modernising cities, and families negotiating reputation as survival.
03
Visual proof
Scenes before the deck
The pitch carries moving-image evidence: dialogue, camera motion, style transfer, texture, and scene coverage.
04
Package
Cast, partners, opportunity
Candidate cast, Early Risers, Galaxy Play, and a market thesis sit in one guided pitch surface.
Why this, why now.
Vietnamese cinema and regional streaming audiences are expanding rapidly. Pride Kieu Hanh positions a globally understood romantic classic inside a specific Asian period world with contemporary audience reach.
Austen
A known emotional machine, made culturally specific.
1930s
A Vietnam period world built for image, class, silence, and heat.
7 clips
Moving tests for performance, style, motion, and coverage.